Blue Note Records: Beyond the Notes
BLUE NOTE RECORDS: BEYOND THE NOTES explores the unique vision behind the iconic jazz record label. Through rare archival footage, current recording sessions and conversations with Blue Note artists, the film reveals a powerful mission and illuminates the vital connections between jazz and hip hop.
One of the most important record labels in the history of jazz — and, by extension, that of American music — Blue Note Records has been home to such groundbreaking artists as Miles Davis, Thelonious Monk, John Coltrane, Bud Powell and Art Blakey, as well as present-day luminaries like Robert Glasper, Ambrose Akinmusire and Norah Jones. Founded in New York in 1939 by German Jewish refugees Alfred Lion and Francis Wolff, the history of Blue Note Records goes beyond the landmark recordings, encompassing the pursuit of musical freedom, the conflict between art and commerce and the idea of music as a transformative and revolutionary force. Through rare archival footage, current recording sessions and conversations with jazz icons Herbie Hancock, Wayne Shorter and today’s groundbreaking Blue Note musicians, BLUE NOTE RECORDS: BEYOND THE NOTES reveals a powerful mission and illuminates the vital connections between jazz and hip hop.
Trumpet / on Blue Note since 2011
"The thing that attracts me to a musician is the fact that they are an artist. It’s the changing, it’s the evolution, it’s the willingness to throw everything out of the window in search of something new."
Producer, Historian, Owner of Francis Wolff Photo Collection
"Through the years, Alfred Lion and Francis Wolff developed a lot of very, very strong friendships among the musicians. I remember Bobby Hutcherson saying, they never seemed like outsiders, they didn’t play an instrument and they had heavy German accents, but they were just one of us."
Saxophone / on Blue Note from 1952 to 1974
“Without Blue Note you probably would have never heard of Monk. Cause the big companies, they wouldn't record Monk. He was around - they wouldn't record him. But Alfred (Lion) did.”
Piano / on Blue Note since 2003
“Most of the great art comes out of messed up situations. You just need something to, you know, to be released from that, you know what I mean, to go somewhere. That’s where jazz is born out of. Hip hop was born out of that. So that’s what we have to still do today.”
Piano / on Blue Note from 1962 to 1969
"What they were searching for was to get the heart of the individuals creating the music to have a platform for expression. And that heart is affected by the times. Because we were living in it."
Bass / on Blue Note since 2013
"Never at a point do I hear the music and hear them being defeated. Somehow, regardless of whatever they were fighting with, they’re going down in history creating something that influenced my life in a way where I felt freedom. Where it brought me joy, where it made me wanna write music that gave people hope."
Vocals, Piano/ on Blue Note since 2001
"The reason I love being on this label is because I’ve always felt like I had that freedom – to make my own music and do whatever I want and I don’t feel confined by the restrictions of the jazz genre."
Sound Engineer
"Jazz is starting to reach back to the younger audiences and I feel like Rob [Robert Glasper] is a big part of that. Because of his ability to incorporate hip hop."
Guitar / on Blue Note since 2008
"I have no idea how I’m gonna start and how I’m gonna finish this. Completely open. I think that’s the beauty of this music. Getting in the unknown zone."
Musician, Hip Hop Producer
"Blue Note is the past, present and the future. It’s always doing something different, it’s always turning on the next generation to something that could change their life."
A Tribe Called Quest
"Blue Note Records became the go to. What we were discovering is that the jazz records had a lot of open break sections, a lot of solo sections. And not only for the drummer, but for all of the players. They had their moments and I think that was the beauty of discovering jazz."
Drums / on Blue Note since 2005
"Being an African-American, the music itself was a special statement and it is a special statement. To me jazz represents um freedom in two different kind of ways. You can be an individual inside of the music, but still helping with the whole."
Saxophone / on Blue Note since 1964
"When we were in the studio at that time, in the 60s, we questioned whether or not what we were doing would be heard, what effect would it have 20 years from then? Will it do anything in the world, will it create some kind of value? The kind of value you can’t put a price on."
Sax, on Blue Note since 2015
"A lot of this music has to do with how we feel about America and how we came from seeming to progress to going back to an era that we fought to get away from. A lot of that feeling, that kind of frustration, is in the music along with all the hopeful stuff. The music is only a tool to express what’s inside."
Sound engineer
"It was my parents’ home, and I was allowed to use the living room to record my jazz music. They allowed me to put a control room window in one of the walls to the living room. And I brought all the equipment in there to record my jazz music."
Producer, President Blue Note Records
"If I really am experiencing something difficult uh I’ll put on Speak No Evil and that’s as good as meditation. A neurologist would probably not be able to find the difference between meditation and focusing on Speak No Evil. And I always feel better, always feel refreshed, always remember who I am. That’s – that’s a pretty amazing service to provide for people." https://en.wikipedia.org/wiki/Don_Was
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The Swiss filmmaker Sophie Huber gained her filmmaking experience as a member of an award winning Berlin film collective, for which she co-directed several films before directing her debut feature documentary, the critically acclaimed HARRY DEAN STANTON: PARTLY FICTION, which premiered at the Venice Film Festival in 2012. BLUE NOTE RECORD: BEYOND THE NOTES is Sophie’s second documentary.
Deutscher Dokumentarfilmpreis
Musikpreis der Opus GmbH
IFF Zurich, sponsored by IWC Schaffhausen
Production Award
Pan African-American Film Festival for the Arts
Programmers' Award Documentary
Richmond International Film Festival
2019 Tribute Award: Outstanding Achievement in Film
With (In Alphabetical Order)
Ambrose Akinmusire
Michael Cuscuna
Lou Donaldson
Robert Glasper
Herbie Hancock
Derrick Hodge
Norah Jones
Keith Lewis
Lionel Loueke
Terrace Martin
Ali Shaheed Muhammad
Kendrick Scott
Wayne Shorter
Marcus Strickland
Rudy Van Gelder
Don Was
Director
Sophie Huber
Director Of Photography
Shane Sigler
Patrick Lindenmaier
Editor
Russell Greene
Producers
Hercli Bundi
Chiemi Karasawa
Susanne Guggenberger
Sophie Huber
Executive Producers
Geoffrey Kempin
Terry Shand
Anke Beining-Wellhausen
Associate Producer
Vadim Jendreyko
Production
Mira Film
In Association with
Eagle Rock Entertainment
Isotope Films
Final Cut USA
BBC Music
In Coproduction with
Schweizer Radio und Fernsehen
Radio Télévision Suisse, SRG SSR
Teleclub
With Financial Support From
Zürcher Filmstiftung
Media Desk Suisse
UBS Culture Foundation
Verein zur Filmförderung in der Schweiz – IWC Filmmaker Award
Stiftung Kulturfonds Suissimage
Succès Passage Antenne
Ernst Göhner Stiftung and Stage Pool Focal
Additional Editor
Chris Amos
Additional Editor/TV Version
Simon Gutknecht
Production Sound
Eric Bautista
Matt Betlej
Julian Howarth
Jae Kim
Caleb Mose
Matthew Patterson-Curry
Ted Robinson
Additional Photography
Larkin Donley
Luke Geissbuhler
Wyatt Troll
B-Camera Operator
Jake Magee
Gaffer
Colby Dunford
Guillaume Caron
Camera Assistants
Jesse Cain
Ryan Gudzial
Kevin Jacobsen
David Okolo
Fabian Perez
Conrad Radzik
Megeara Stephens
DIT /Media Manager
Myles David Jewell
Colin Marchon
Jesse Tyler
Assistant Editors
Alex Bayer
Lisa Gertsch
Jenna Hill
Noemi Schneider
Elijah Stevens
Archival Producer
Laura Coxson
Archivist For Francis Wolff Photo Collection
Lisa Cuscuna
Digital Intermediate
Andromeda Film AG, Zürich
Colorist
Patrick Lindenmaier
Conform Editor
Pedro Nuñez
Motion Graphics
Davide Legittimo
Postproduction Coordinator Andromeda
Thomas Krempke
Post Production Services
Final Cut USA, Inc.
Titles
Sophia Murer/Peakfein
Teddy Blanks/Chips
Subtitles
Diagonal Gmbh
Sound Studios
Igloo Music
Deluxe Studios
Sound Design Studios AG
Sound Design
Peter von Siebenthal
Re-Recording Mixer
Nicholai Baxter CAS
Carlos Solis CAS
Additional Re-Recording Mixers
Felix Bussmann
Denis Séchaud
Post-Production Supervisor
Kathrin Schmid
Office Management Mira Film
Nadine F. Forster
Production Coordinator/Isotope Films
Sheila Lobo
Production Insurance
Reiff & Associates
Legal Services
Stacey Smith/Cinepointe
Kai-Peter Uhlig/Werder-Viganõ
Clearance Counsel
Chris Perez/Donaldson + Callif LLP
Production Accountant
Ryan Pattie
Tatiana Secura
Helena Gräumann
For Eagle Rock Entertainment
Legal & Clearances
Rochelle Winn
Charlotte Godfrey
Gabi Huckins
Production Manager
Rosie Holley
Supervising Producers
Peter Worsley
Will White
Interns
Samantha Baugh
Aaron Champagne
Katelyn Fournier
Mona Johnson
Bill Karim
Daniela Lott
Richard Macris
Isidora Manojlovic
Sidhant Tilokani
Format
DCPLength
85minColor
trueYear
2018Original Language
EnglishSubtitles
German, French, ItalianCountry
Switzerland, USAISAN
0000-0004-9705-0000-3-0000-0000-S